Tag: IndieFilm

JON MEYERS’ VIEWING LIST FROM EIFF 2018

JON MEYERS’ VIEWING LIST FROM EIFF 2018

Reviews coming soon to this site.

 

21 June, 2018

George MacKay Interview

 

22 June, 2018

Bao (2018, Domee Shi, United States/Canada)

The Incredibles 2 (2018, Brad Bird, United States)

Three Summers (2017, Ben Elton, Australia)

The Eyes Of Orson Welles (2018, Mark Cousins, United Kingdom)

 

23 July, 2018

Jellyfish (2018, James Gardner, United Kingdom)

Plonger [Diving] (2017, Mélanie Laurent, France)

George Michael Freedom: The Director’s Cut (2018, David Austin, United Kingdom)

 

24 July, 2018

My Friend The Polish Girl (2018, Ewa Banaszkiewicz/Mateusz Dymek, United Kingdom)

Mary Shelley (2017, Haifaa Al-Mansour, Ireland/Luxembourg/United Kingdom)

How Creative Are We? (Panel)

 

25 June, 2018

Dead In A Week Or Your Money Back (2018, Tom Edmunds, United Kingdom)

Several Conversations About A Very Tall Girl (2018, Bogdan Theodor Olteanu, Romania)

The Most Assassinated Woman In The World (2018, Franck Ribière, Belgium/UK/US)

Flammable Children [Swinging Safari] (2018, Stephen Elliot, Australia)

Wild Nights With Emily (2018, Madeleine Olnek, United States)

 

26 June, 2018

Patrick (2018, Mandie Fletcher, United Kingdom)

Songbird (2018, Jamie Adams, United Kingdom)

 

27 June, 2018

Unicorn Store (2017, Brie Larson, United States)

The Gospel According To André (2017, Kate Novak, United States)

Yes You Can Make Animation In Europe (Panel)

Hearts Beat Loud (2018, Brett Haley, United States)

Film’s Final Curtain (2018, Lindsay McIntyre, Canada)

Pig Film (2018, Josh Gibson, United States) with Post Screening Q&A

 

 

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REBEKAH FIESCHI TELLS JON MEYERS SOME THINGS SHE’S NEVER TOLD ANYONE ELSE

REBEKAH FIESCHI TELLS JON MEYERS SOME THINGS SHE’S NEVER TOLD ANYONE ELSE

Last month, I had the opportunity to interview my friend Rebekah Fieschi for the second time in the last year.  A lot — and I mean a lot — has happened since the last time.
Rebekah Fieschi is an award-winning writer/director from a tiny island in the south of France. Her new film, Sylphvania Grove, successfully crowdfunded on Seed&Spark and will debut in film festivals later this year.. Her previous, Mauvaises Têtes, is an award-winning reinvention of classic Hollywood horror films such as Frankenstein; Mauvaises Têtes was well received in film festivals around the world. Her focus is to bring more entertaining, yet layered, character driven gothic horror and fantasy films to the screen.
After studying filmmaking in Paris, Rebekah moved to New York in 2010. She is also an advocate of fair gender representation in cinema, she is known for giving nuanced voices to female characters and is part of a group of filmmakers seeking to transform the industry. Her first feature film, Beast, is currently in development.
rebekah2
Rebekah Fieschi (center) with other female filmmakers before the first shot of Sylphvania Grove.
JON MEYERS:  Hello Rebekah Fieschi.  Thank you for this, our second interview, in less than a year.  Why don’t we start by getting my readers caught up.  I’ve spoken to you, of course, of and on — but tell everybody else about what’s happened from the last time we’ve spoken publicly until today, the status of Sylphvania Grove, the preparation for your feature, what you had for breakfast this morning…  You know, the usual.
REBEKAH FIESCHI:  Hey Jon Meyers, I’m thrilled to be speaking with you again so soon! Quite a lot has happened since we spoke last: Sylphvania Grove’s crowdfunding campaign went on to get 200% funded (which I still struggle to believe and feel endlessly grateful for), we shot the film, edited it and went through most of the post production process, I’m hoping I’ll be able to finally say “Sylphvania Grove is done” in a few days (I am DYING to share it with our lead Maxine Wanderer who is truly extraordinary in it, and then of course our supporters and the rest of the world!), and I’ve been submitting a work in progress to a handful of festivals. [Editor’s Note:  While preparing this interview, Rebekah did indeed finish Sylphvania Grove.  There’s no trailer yet — but soon.  Meanwhile, you can check out the teaser here:     ]
JM:  I can’t wait to see the rest of it.  I’m so excited for you.  What else is new?
RF:  Well, I completed my first feature script, Beast, in January. Check out the poster for the script:
beast
JM:  Ooooohhh!  Cool.  Beautiful poster. Tell me more.
RF:  It’s a story I’ve been carrying with me for years and was finally able to put on paper, it’s very different from anything seen before and I can’t wait to connect with people through it. It’s a psychological horror film that tells the story of Bobby, who’s disease threatens to take on a monstrous form while mounting her first stage production. I’m planning  to crowd fund part of it’s budget in 2019, I can’t wait to start talking about it more.
JM:   Same!  Except that my cream cheese was half a schmear (and fat free), and my latte was hot. 
          Beast sounds great.   As usual, what an amazing idea.  And I’m sure, like your other work, it will play well at festivals.  Speaking of festivals, I’m going to Edinburgh this year, in June.  I’ll be sure to tell everybody and anybody about Beast. 
RF:  Spreading the word is always a great help!
JM:  By the way, Edinburgh just announced one of its featured theme retrospectives:  American Woman: Female Directors in American Cinema.  That’s right up our alley, isn’t it?  I’ve been meaning to ask you about this, so now is as good a time as any.  Now that #MeToo permeates the news cycle, do you see yourself altering — in any way — how you make movies?  Like me, you have always been pro-woman.  To those late to the party, are you more “It’s about time, y’all” or “Where’ve you’ve been for the last ten years?”

It’s about time, y’all! I don’t think it will alter the way I make movies, but it definitely gives me more confidence in many ways and makes me feel less alone in my battles. I hope it will change the way a lot of movies are made and bring positive change and safer environments throughout industries.

JM:  So true.  Hey, thanks Rebekah Fieschi for giving me some of your valuable time.  As always you’re always welcome here on my page.  Make sure you let my readers know when that Sylphvania Grove trailer is available.

RF:  Will do, Jon Meyers.  Thanks again for all you do.

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BONUS NEWS:

Rebekah just put up a new Patreon page.  If you want to support her efforts to raise the profile of female filmmakers, you can do so here, for as little as $1 a month:
How cool would it be if you could be one of the first 25 people to support her?   Now’s your chance.
Here are Rebekah’s other links as well:
FEMALE FILMMAKERS SUCCESSFULLY COMPLETE A 72 HOUR CHALLENGE … IN JUST 7 HOURS !!!

FEMALE FILMMAKERS SUCCESSFULLY COMPLETE A 72 HOUR CHALLENGE … IN JUST 7 HOURS !!!

ICYMI, I just posted this on my facebook page

[Additional Ed. Notes from me in parenthesis.]

 

*****STOP THE PRESSES*****

So this happened. As Yael Shavitt announced [here]on my Filmic The Page blog Friday morning at 7AM, Split: the Web Series had a matching donor for a 72 hour period to help them reach 100% on their Seed&Spark campaign.

Being the powerful influencer/incentivizer/rocket booster that I am, I had intended on releasing my EXCLUSIVE INTERVIEW with Yael 24 hours before that 72 hour period ended.

Well, #GuessWhatNowWhat. SPLIT became 100% FULLY FUNDED in about 7 hours, not 72. By Friday afternoon they had reached their goal. Thanks to many of YOU (and many others across the interweb).

NOW, it gets even better. I just received this email from Yael and her team announcing her STRETCH GOALS, so let’s not stop now. Besides telling you what a little more $$$ will mean to this female-driven production, NOTE WHAT 250 FOLLOWERS ON SEED & SPARK will give them. Here’s the email:
100% & BEYOND

Dear Split Supporters,

Yesterday was a very eventful day [part 1]…

We reached and exceeded our initial goal of $8,000! You all pitched in so beautifully that we raised $1,015 in a single day (!) which in turn became $2,015 today, after being matched by our Anonymous Donor.

This brings us to 114% of our initial goal. Wow. Wow! And once again, wow!

We cannot thank you enough for the amazing support you’ve shown us throughout this campaign so far.

– Wait, does this mean the campaign is over?

– So glad you asked. Not at all!

The initial $8k goal we set is only a portion of the overall budget we need to produce the remaining five Split episodes.

With 7 days left to the campaign, we’re now setting a STRETCH GOAL of $10,500.

Ending the campaign with this amount would mean we’d only need to secure an additional $5,500 from grants and/or personal funds to produce the rest of the episodes. This will pave the way for us to film these episodes this very summer with the full crew, equipment and mojo we had for the pilot.

So if you’ve been meaning to give, but haven’t had a chance yet, your contribution would still be just as helpful now!

https://www.seedandspark.com/fund/split

Yesterday was a very eventful day [part 2]…

We reached 200 campaign followers yesterday! Hooray! To celebrate we’re sharing this silly Blooper Reel with you, our loyal supporters. Enjoy…

https://youtu.be/hhvCvv8fVJc

Our next target is to reach 250 followers. This will make us eligible for Seed&Spark’s #DiversityIsAlwaysOn Filmmaker Perks ($10,000 worth of perks!). Check it out:

https://www.seedandspark.com/100days/perks

As always, thank you for your continued support,

Hannah, Molly, Pyra & Yael

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So there you have it. I want to point out that FOLLOWING IS FREE on Seed & Spark, so if you could SHARE this whole post, and we can get them over the 250 followers, they get all those perks ($10,000 worth) AT NO COST TO YOU WHATSOEVER.

Follow, follow, follow. SHARE, SHARE, SHARE.

And speaking of following, you’ll definitely want to follow my blog [this very one you are reading right now] now at www.filmicthepage.wordpress.com because due to this AWESOME turn of events, I will release the interview (FINALLY!!!) on Monday morning.

#FemaleFilmmakers #WomenInHollywood #GenderFairness
#IndieFilm #Indie #Creatives #WomenEmpowerment #Empowerment #Feminism