Tag: Riley Rose Critchlow

TESTING THE JANE TEST

TESTING THE JANE TEST

We all know what the Bechdel test is,  The Bechdel test asks whether a film (or any work of fiction, for that matter) features at least two females who talk to each other about something other than a male.

I mentioned a couple weeks ago that on the HAGS Podcast, HAGS co-hosts Riley Rose Critchlow and Nicole Wyland brought up the Jane test during their second episode which centered on INTELLIGENCE.

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What though is the Jane test, and where did it come from?

On twitter, a professional script reader named Ross Putman pulls the introduction of female characters out of screenplays, changes all the characters names to “Jane,” then tweets the description the first time we see them.  Putnam’s findings reveal a superficial focus on a female characters’ looks, and a telling dearth of information about what makes them tick as a person.

Specifically, Putnam examines three things:  1) Does The Introduction Focus on the External Attributes of the Character?  2) Is She a Twenty- or Thirtysomething?  3) Is She Dating Someone Decades Older Than Her?

Here’s where I’m torn:  In RIDING ARISTOTLE, the last feature screenplay I wrote, the protagonist is a female.  It’s 1908, and she is the first female dean of a major university.  The first time we see her, she is splashed in the face when a nearby horse steps in a puddle of water.  So it’s a focus on an external attribute (Rule 1), but it is by no means a sexy description of her physical looks.  Next, she is 37, which would trigger Rule 2.  However, I didn’t write her as 37, to portray her as sexually vibrant, nor anything close to that.  Since she is a fictional character, I wondered what the youngest age that a person could become a dean — and for it still be somewhat believable, but more importantly, remarkable.  The point was she had made amazing achievements in grad school (finishing at 26), then as a professor (five years, making her 31), then as a department head (another 6 years, making her 37) — achievements so large, every step of the way, that they could not be ignored.  She exceled her way up the academic ladder at a time when the odds were stacked against her.  There’s no way THAT’S sexist.  To the contrary, her age is a testament to her advanced abilities.  Lastly, Rule 3 — not only is my protagonist NOT dating an older man, she is married to a much younger man (in 1908, another nod to her independent streak).  On the other hand, I do have an older man chasing her.  Am I guilty of violating Rule 3?  Or am I subverting it, by having my protagonist (SPOILER ALERT) stay loyal to her younger husband?

See what I mean?  A case could be made that my protagonist does not pass the Jane test — but there’s no way my protagonist is anywhere near the same as a lithe Meagan Fox glistening with sweat in her Daisy Dukes in Transformers.  This is not to say that Putnam’s observations are wrong.  I agree with him that there is a problem.  I’m just saying that describing the problem is not as cut-and-dried simple as 1 – 2 – 3.

Clearly there is more to be said about this topic.  This won’t be the last time we discuss the Jane test on this blog.

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WHY HAGS MATTER

WHY HAGS MATTER

It’s a podcast, people!!!

As you know, among other things, every week here, I blog about at least one podcast.  Usually it is about an episode of screenwriter John August’s Scriptnotes.  But today, I want to tell you about a brand new podcast I discovered this month.  (Thanks to the women of TeamRAD who put this on my radar.)  In fact, it’s only been around for a month.  New episodes air every Tuesday, so if you start right now, you can get caught up on the back episodes — and it is worth your time to do so.  So, without further ado, Ladies and Gentlemen, direct your attention to:

HAGS Podcast.

Who are the hosts of HAGS?  From their website:  “HAGS co-hosts Riley Rose Critchlow and Nicole Wyland met on the set of a hit web show and have been creating feminist content together ever since. In 2016, they co-produced a gender-bending parody series called Get Bent, which highlights the way women are portrayed in Hollywood by putting women in the men’s roles and vice versa.”  They have both worked in a variety of positions in the film industry.  More on them at the bottom. 

This week I want to talk about their second episode which centered on INTELLIGENCE.  They discuss, among other things, how intelligence is monetized and commoditized so that a women’s cleverness can be devalued.  The societal value applied to female intelligence is for the benefit of men.  A woman’s intelligence, they argue, is yet just another element of the “full package” making her more attractive to a man.  Rather than say, this education, or her inherent brightness, will serve her well in accomplishing her personal goal, or in serving our planet better, a woman’s intelligence is turned into a commodity for the benefit of the male gaze (well, the male gaze is done by the eyes, so whatever-a-male-brain-does-instead-of-gaze).   And I agree with Riley and Nicole completely — not that their positions need male validation, because they do not.

HAGS

Nicole Wyland (left) and Riley Rose Critchlow (right).

 

I promised more information about these hilarious and insightful feminists.  Here it is, again from their website:

RILEY ROSE CRITCHLOW – HOST

Riley grew up on a small island in Maine, moving to Los Angeles to pursue a BFA in Acting from USC’s School of Dramatic Arts. After graduating, Riley founded sketch comedy troupe Bowling for Tiffany, whose content caught the eye of Funny or Die, Tosh.0 and Discovery. Out of BFT, Riley and fellow comedian, Daniel Montgomery, formed comedy duo Mary-Kate and Ashtray. MKA recently performed at SF Sketchfest and has a pilot slated for completion later this year. Riley has appeared mostly as criminals on such television shows as Southland, Rizzoli & Isles and Marcia Clark’s pilot, Guilt By Association. She is also the lead of Julia Max’s film, Distortion, which is currently touring college campuses as a cornerstone of the Obama/Biden “It’s On Us” campaign to end sexual assault.

NICOLE WYLAND – HOST

Nicole is an actress, writer, and vocalist.  A native of Eighty Four, Pennsylvania, Nicole received her degree in Theatre Arts from the University of Pittsburgh before moving to Los Angeles to pursue a career in film. She is known for viral videos like freddiew’s “Flower Warfare” which has over 15,000,000 views online. In addition to playing Moriarty on the critically acclaimed webseries Video Game High School,  Nicole writes and performs sketch comedy for her own YouTube channel.  Her parody Lady Gaga music video has been viewed over 12,000 times. Nicole also owns her own production company, Verdant Pine Productions, and is looking forward to producing her first feature later this year.

Next week, I will revisit this same episode, because I want to dig deeper into their discussion of the Jane test for scripts.  (Not the Bechdel test, the Jane test.)  What is the Jane test, and what do I think about it?  You’ll have to come back here next week!